Showing posts with label K. Tempest Bradford. Show all posts
Showing posts with label K. Tempest Bradford. Show all posts

Monday, October 12, 2015

Recommended Reading: Diverse Fantasy Novels

Catherine Kovach has an interesting listicle entitled 15 Diverse Magical Fantasy Novels To Read ASAP over at Bustle.com. The focus is on books with characters that are from diverse backgrounds, and not necessarily on books by authors from those backgrounds.

I had heard of only a few:
  1. The Girl With Ghost Eyes by M.H. Boronson
  2. Shadowshaper by Daniel José Older
  3. Who Fears Death by Nnedi Okorafor
  4. Huntress by Malinda Lo
  5. Anansi Boys by Neil Gaiman
  6. Midnight Riot by Ben Aaronovitch
  7. Fledgling by Octavia E. Butler
  8. Minion by L.A. Banks
  9. The Wrath and the Dawn by Renée Ahdieh
  10. Luminous by Dawn Metcalf
  11. All Our Pretty Songs by Sara McCarry
  12. An Ember in the Ashes by Sabaa Tahir
  13. Redemption in Indigo by Karen Lord
  14. Magic's Pawn by Mercedes Lackey
  15. A Book of Tongues by Gemma Files
As I've mentioned before, while I am not prepared to sign up for K Tempest Bradford's challenge, I am trying to broaden my reading horizons. I think there are some very good options in this list (even after excluding Neil Gaiman). 

You can read brief synopses of each at the original link.

Wednesday, August 19, 2015

Recommended Reading and the Tempest Bradford Challenge

I've never signed on to the Tempest Bradford challenge to stop reading books by White, Straight, Cis Male Authors for One Year. I can't bring myself to put off reading good books by authors I love for a year.

However, inspired by the challenge, I have looked more closely into my past reading choices and found that they are overwhelmingly skewed towards white male authors. And based on this, I have made an effort to seek out work from a more diverse group of authors over the past year and will continue to do so in future. The lists of books read on the right of this blog, although by no means complete, should show that I am making progress in this regard. But progress could be faster.

It is not that hard to find good writing in SFF by authors other than white males. However, it never hurts to have lists of good books to assist in that search. I have recently found two such lists that look quite promising.

The first is derived from a list compiled in 2013 by David G. Hartwell, senior editor at Tor Books, of "major books of science fiction written by women over the period 1984 to 2001." This list was originally published by The New York Review of Science Fiction and was attractively organized by Worlds Without End (which is where I stumbled upon it). Alphabetically by author, with year of publication in parentheses:
  1. Brother Termite, Patricia Anthony (1993)
  2. A Woman Of The Iron People, Eleanor Arnason (1991)
  3. Ring of Swords, Eleanor Arnason (1993)
  4. Primary Inversion, Catherine Asaro (1995)
  5. The Last Hawk, Catherine Asaro (1997)
  6. The Quantum Rose, Catherine Asaro (2000)
  7. Unwillingly to Earth, Pauline Ashwell (1992)
  8. Crash Course, Wihelmina Baird (1993)
  9. In the Garden of Iden, Kage Baker (1998)
  10. Sky Coyote, Kage Baker (1999)
  11. The Best of . . ., Marion Zimmer Bradley (1985)
  12. The Warrior’s Apprentice, Lois McMaster Bujold (1986)
  13. Borders of Infinity, Lois McMaster Bujold (1989)
  14. Falling Free, Lois McMaster Bujold (1988)
  15. The Vor Game, Lois McMaster Bujold (1990)
  16. Mirror Dance, Lois McMaster Bujold (1994)
  17. Cetaganda, Lois McMaster Bujold (1996)
  18. Dreamweaver’s Dilemma, Lois McMaster Bujold (1996)
  19. Memory, Lois McMaster Bujold (1996)
  20. A Civil Campaign, Lois McMaster Bujold (1999)
  21. Falcon, Emma Bull (1989)
  22. Bone Dance, Emma Bull (1991)
  23. Dawn, Octavia Butler (1987)
  24. Adulthood Rites, Octavia Butler (1988)
  25. Imago, Octavia Butler (1989)
  26. Parable of the Sower, Octavia Butler (1994)
  27. Bloodchild and Other Stories, Octavia Butler (1995)
  28. Parable of the Talents, Octavia Butler (1998)
  29. Mindplayers, Pat Cadigan (1987)
  30. Patterns, Pat Cadigan (1989)
  31. Synners, Pat Cadigan (1991)
  32. Home by the Sea, Pat Cadigan (1992)
  33. Dirty Work, Pat Cadigan (1993)
  34. Promised Land, Pat Cadigan (1999)
  35. Dervish Is Digital, Pat Cadigan (2001)
  36. The Furies, Suzy McKee Charnas (1994)
  37. The Conqueror’s Child, Suzy McKee Charnas (1999)
  38. Chanur’s Venture, CJ Cherryh (1984)
  39. Voyager in Night, CJ Cherryh (1984)
  40. Cuckoo’s Egg, CJ Cherryh (1985)
  41. The Kif Strike Back, CJ Cherryh (1985)
  42. Chanur’s Homecoming, CJ Cherryh (1986)
  43. Visible Light, CJ Cherryh (1986)
  44. Cyteen, CJ Cherryh (1988)
  45. Rimrunners, CJ Cherryh (1989)
  46. Heavy Time, CJ Cherryh (1991)
  47. Hellburner, CJ Cherryh (1992)
  48. Foreigner, CJ Cherryh (1994)
  49. Invader, CJ Cherryh (1995)
  50. Rider at the Gate, CJ Cherryh (1995)
  51. Inheritor, CJ Cherryh (1996)
  52. Precursor, CJ Cherryh (1999)
  53. Defender, CJ Cherryh (2001)
  54. Mainline, Deborah Christian (1996)
  55. Mutagenesis, Helen Collins (1993)
  56. Beholder’s Eye, Julie Czerneda (1998)
  57. In the Company of Others, Julie Czerneda (2001)
  58. A Paradigm of Earth, Candas Jane Dorsey (2001)
  59. Native Tongue*, Suzette Haden Elgin (1984)
  60. Jaran, Kate Elliott (1992)
  61. City of Diamond, Jane Emerson (1995)
  62. The Start of the End of It All and Other Stories, Carol Emshwiller (1990)
  63. Rainbow Man, MJ Engh (1993)
  64. Infinity’s Web, Sheila Finch (1985)
  65. Artificial Things, Karen Joy Fowler (1986)
  66. Sarah Canary, Karen Joy Fowler (1991)
  67. Black Glass, Karen Joy Fowler (1998)
  68. In Conquest Born, CS Friedman (1987)
  69. Halfway Human*, Carolyn Ives Gilman (1998)
  70. The Dazzle of Day, Molly Gloss (1997)
  71. A Mask for the General, Lisa Goldstein (1987)
  72. Queen City Jazz, Kathleen Ann Goonan (1994)
  73. The Bones of Time, Kathleen Ann Goonan (1996)
  74. Mississippi Blues, Kathleen Ann Goonan (1997)
  75. Crescent City Rhapsody, Kathleen Ann Goonan (2000)
  76. Flesh and Gold, Phyllis Gotlieb (1998)
  77. Ammonite, Nicola Griffith (1993)
  78. Slow River, Nicola Griffith (1995)
  79. Winterlong, Elizabeth Hand (1990)
  80. Æstival Tide, Elizabeth Hand (1992)
  81. Icarus Descending, Elizabeth Hand (1993)
  82. Glimmering, Elizabeth Hand (1997)
  83. Last Summer At Mars Hill, Elizabeth Hand (1998)
  84. Midnight Robber, Nalo Hopkinson (2000)
  85. Divine Endurance, Gwyneth Jones (1984)
  86. Escape Plans, Gwyneth Jones (1986)
  87. Kairos, Gwyneth Jones (1988)
  88. White Queen, Gwyneth Jones (1991)
  89. North Wind, Gwyneth Jones (1994)
  90. Bold as Love, Gwyneth Jones (2001)
  91. Hellspark, Janet Kagan (1988)
  92. Mirabile, Janet Kagan (1991)
  93. The Journal of Nicholas the American, Leigh Kennedy (1986)
  94. Polar City Blues, Katherine Kerr (1990)
  95. The Silver Kiss, Annette Curtis Klause (1990)
  96. Trinity and Other Stories, Nancy Kress (1985)
  97. An Alien Light, Nancy Kress (1988)
  98. Brain Rose, Nancy Kress (1990)
  99. The Aliens of Earth, Nancy Kress (1993)
  100. Beggars in Spain, Nancy Kress (1993)
  101. Beggars & Choosers, Nancy Kress (1994)
  102. Beggars Ride, Nancy Kress (1996)
  103. Beaker’s Dozen, Nancy Kress (1998)
  104. Probability Moon, Nancy Kress (2000)
  105. Probability Sun, Nancy Kress (2001)
  106. Dreams of Dark and Light, Tanith Lee (1986)
  107. Night’s Sorceries, Tanith Lee (1987)
  108. Always Coming Home, Ursula K LeGuin (1985)
  109. Buffalo Gals and Other Animal Presences, Ursula K LeGuin (1987)
  110. A Fisherman of the Inland Sea, Ursula K LeGuin (1994)
  111. Four Ways to Forgiveness, Ursula K LeGuin (1995)
  112. Unlocking the Air and Other Stories, Ursula K LeGuin (1996)
  113. The Telling, Ursula K LeGuin (2000)
  114. Arachne, Lisa Mason (1990)
  115. Summer of Love, Lisa Mason (1994)
  116. An Exchange of Hostages, Susan R Matthews (1997)
  117. The Chronicles of Pern: First Fall, Anne McCaffrey (1993)
  118. The Girl Who Heard Dragons, Anne McCaffrey (1994)
  119. China Mountain Zhang, Maureen McHugh (1992)
  120. Mission Child, Maureen McHugh (1998)
  121. Nekropolis, Maureen McHugh (2001)
  122. Murphy’s Gambit, Syne Mitchell (2000)
  123. The Ragged World, Judith Moffett (1991)
  124. Remnant Population, Elizabeth Moon (1996)
  125. Once a Hero, Elizabeth Moon (1997)
  126. The City, Not Long After, Pat Murphy (1989)
  127. Points of Departure, Pat Murphy (1990)
  128. Sheepfarmer’s Daughter, Elizabeth Moon (1988)
  129. Lunar Activity, Elizabeth Moon (1990)
  130. Deception Well, Linda Nagata (1997)
  131. Vast, Linda Nagata (1998)
  132. Limit of Vision, Linda Nagata (2001)
  133. Becoming Alien, Rebecca Ore (1987)
  134. Being Alien, Rebecca Ore (1989)
  135. Alien Bootlegger and Other Stories, Rebecca Ore (1993)
  136. Gaia’s Toys, Rebecca Ore (1995)
  137. The Annunciate, Severna Park (1999)
  138. Little Sisters of the Apocalypse, Kit Reed (1995)
  139. Silver Screen, Justina Robson (1999)
  140. Synthesis and Other Virtual Realities, Mary Rosenblum (1996)
  141. Chimera, Mary Rosenblum (1993)
  142. The Drylands, Mary Rosenblum (1993)
  143. Alien Influences, Kristine Kathryn Rusch (1994)
  144. Extra(Ordinary) People, Joanna Russ (1984)
  145. The Hidden Side Of The Moon, Joanna Russ (1988)
  146. Venus of Dreams, Pamela Sargent (1986)
  147. The Best of . . ., Pamela Sargent (1987)
  148. The Healer’s War, Elizabeth Ann Scarborough (1988)
  149. The Game Beyond, Melissa Scott (1984)
  150. Trouble and Her Friends, Melissa Scott (1994)
  151. Shadow Man, Melissa Scott (1995)
  152. Night Sky Mine, Melissa Scott (1996)
  153. The Shapes of Their Hearts, Melissa Scott (1998)
  154. Reef Song, Carol Severance (1991)
  155. Heritage of Flight, Susan M Shwartz (1989)
  156. Legacies, Alison Sinclair (1995)
  157. A Door into Ocean, Joan Slonczewski (1986)
  158. The Children Star, Joan Slonczewski (1998)
  159. Code Of Conduct, Kristine Smith (1999)
  160. Other Nature, Stephanie Smith (1995)
  161. The Arbitrary Placement of Walls, Martha Soukup (1997)
  162. Alien Taste, Wen Spencer (2001)
  163. Chance and Other Gestures of the Hand of Fate, Nancy Springer (1987)
  164. Larque on the Wing, Nancy Springer (1994)
  165. After Long Silence, Sheri S Tepper (1987)
  166. Grass, Sheri S Tepper (1989)
  167. Raising the Stones, Sheri S Tepper (1990)
  168. The Fresco, Sherri S Tepper (2000)
  169. Virtual Girl, Amy Thomson (1993)
  170. The Color of Distance, Amy Thomson (1995)
  171. Through Alien Eyes, Amy Thomson (1999)
  172. Brightness Falls from the Air, James Tiptree Jr (1985)
  173. Tales of the Quintana Roo, James Tiptree Jr (1986)
  174. Crown of Stars, James Tiptree Jr (1988)
  175. Her Smoke Rose Up Forever, James Tiptree Jr (1990)
  176. Lost Futures, Lisa Tuttle (1992)
  177. World’s End, Joan D Vinge (1984)
  178. Phoenix in the Ashes, Joan D Vinge (1985)
  179. Catspaw, Joan D Vinge (1988)
  180. Opalite Moon, Denise Vitola (1997)
  181. The Silent City, Élisabeth Vonarburg (1988)
  182. In the Mother’s Land, Élisabeth Vonarburg (1992)
  183. Reluctant Voyagers, Élisabeth Vonarburg (1995)
  184. Whiteout, Sage Walker (1996)
  185. Mother Grimm, Catherine Wells (1997)
  186. Children of the Wind, Kate Wilhelm (1989)
  187. And the Angels Sing, Kate Wilhelm (1992)
  188. The Ghost Sister, Liz Williams (2001)
  189. Sea as Mirror, Tess Williams (2000)
  190. Fire Watch, Connie Willis (1985)
  191. Doomsday Book, Connie Willis (1992)
  192. Impossible Things, Connie Willis (1993)
  193. To Say Nothing of The Dog, Connie Willis (1998)
  194. Passage, Connie Willis (2001)
  195. Looking for the Mahdi, N Lee Wood (1996)
  196. Sister Emily’s Lightship and Other Stories, Jane Yolen (2000)
  197. Reclamation, Sarah Zettel (1996)
  198. Fool’s War, Sarah Zettel (1997)
  199. Playing God, Sarah Zettel (1998)
  200. Busy About the Tree of Life, Pamela Zoline (1988)
I am disturbed both by the fact that I have read very few of these books, as well as by the fact that I have read even fewer of the authors.

The second is a list of 19 Science-Fiction And Fantasy Novels By Women Of Color curated by Anjali Patel. The list in full:
  1. Parable of the Sower, by Octavia Butler
  2. The Summer Prince, by Alaya Dawn Johnson
  3. Who Fears Death, by Nnedi Okorafar
  4. Spirits of the Ordinary: A Tale of Casas Grandes, by Kathleen Alcala
  5. Ash, by Malinda Lo
  6. The Salt Roads, by Nalo Hopkinson
  7. A Stranger in Olondria, by Sofia Samatar
  8. Joplin's Ghost, by Tananarive Due
  9. The Stars Change, by Mary Anne Mohanraj
  10. The Antelope Wife, by Louise Erdrich
  11. Almanac of the Dead, by Leslie Marmon Silko
  12. The Gilda Stories, by Jewelle Gomez
  13. Island of Eternal Love, by Daína Chaviano
  14. Redemption in Indigo, by Karen Lord
  15. So Far from God, by Ana Castillo
  16. Ink, by Sabrina Vourvoulias
  17. Orleans, by Sherri L. Smith
  18. Salt Fish Girl: A Novel, by Larissa Lai
  19. The Lost Girl, by Sangu Mandanna
Unlike the first list, I have read a few of these and look forward to reading more over the coming months (and years).

Tuesday, August 11, 2015

More on Antonelli ... and a Personal Apology to Tempest Bradford

More thoughts following on from yesterdays post about Lou Antonelli after a nights sleep, a morning's research, and a (quite fair) schooling on twitter. As you will see, I have had cause to change my views significantly.

First, I think it would be tremendously helpful if Antonelli would post an exact copy of the letter he sent to Spokane PD, as well as an exact copy of the letter he sent to redress the problem. There seems to me to a big difference between writing to say that David Gerrold is "insane and a public danger and needs to be watched" and that he is "inciting to violence" and "he belongs in a secure psychiatric facility", which is what he said on the podcast, and writing to say that the police should "be aware of the controversy and possibility of people getting, uhh, maybe too enthused", which is what he reportedly said to Lou Berger and "expressing some concerns over potential security issues at the upcoming Sasquan" which is what he says he did in his apology.

Second, if Antonelli wants to be forgiven, he should also apologize to the blogger he tried to have fired. And for any other things he has done which have caused offense in this whole mess.

Third, I do not suggest that we (i.e. fandom) simply "forgive and forget" what Antonelli has done. We should never forget. And forgiveness will take time. Indeed, in light of his past record of apologies discussed next, it is going to take a long period of improved behavior on his part before we should even think of forgiving him. I hope that one day he will prove worthy of that forgiveness.

Fourth, K. Tempest Bradford and others have pointed out to me that Antonelli has a history of making fake apologies. I was not aware of this last night, but as Tempest points out it is quite easy to find the details online. I should have done my research. Jim C. Hines and Natalie Luhrs provide good summaries.

Obviously, this casts a whole new light on Antonelli's apology. In it, he says:
I need to ponder the hurt I have caused. To give me time to think, after Sasquan I am taking a half-year hiatus from attending any conventions and/or submitting any fiction.
I hope he takes that commitment seriously. Forgiveness needs to be earned.

Fifth, I owe Tempest a big apology. This morning I tweeted:
 loses the plot,  loses her nut, and fans of SFF lose all hope of reconciliation.
Clearly, this implied that I thought Tempest shared the blame for the discord in SFF. This was not what I meant. I apologize for what I wrote, and I apologize to Tempest for the harm that it caused. I will be more careful in future.

Sixth, Tempest was quite clearly justified in "losing her nut." She does a great job explaining her point of view in her facebook post. I had not thought carefully about the points she makes in her step 1, and I have evidently tripped up on step 3. Mea culpa.

Seventh, I do sincerely hope for some sort of reconciliation in SFF. I hope that some of the participants in the Controversy will step up and earn their forgiveness. That includes Lou Antonelli and Benjanun Sriduangkaew (someone who has made big strides in this area, becomes more sympathetic the more I learn about her, and to whom I also owe an apology).

Monday, August 10, 2015

Lou Antonelli Loses the Plot ... and Finds it Again

As mentioned before, I started this blog after the Hugo Awards controversy, first, re-awakened my interest in SFF and, second, stoked my outrage with what I perceived to be the poor quality of the debate surrounding its aftermath. It had been my intent to write short pieces summarizing some of the key protagonists and their views. Events over the past few days have led me to begin with Lou Antonelli.

This post will be long (and as events keep evolving, in several parts) and reflect my understanding of the issues and people involved. Corrections and clarifications to what follows would be greatly appreciated.

Lou Antonelli is a journalist and science fiction writer from Texas who, since he started in 2003, has published roughly one hundred stories. In 2015 he was nominated for two Hugo Awards: (i) best short story for “On A Spiritual Plain” (Sci Phi Journal #2, 11-2014); and, (ii) Best Related Work for Letters from Gardner (The Merry Blacksmith Press). Both pieces of work appeared on the Sad Puppies Slate and on the Rabid Puppies Slate, and there have been allegations that Antonelli was disingenuous in his public statements about his knowledge of being included on both slates.

By some accounts, Antonelli has a bit of a temper, and can overreact. As evidence for the latter, apparently in response to being called an asshole on the web (I haven't been able to track down the original exchange), he contacted a blogger's place of employment and tried to get them fired:
My one brush with Antonelli took place after I had opined on Twitter that the reason many people don't like the authors who form the core of the "Sad Puppy" group are assholes, including him in the bunch. He reacted by confirming that he is, in fact, an asshole. Despite my tweeting on my personal twitter account, Antonelli took it upon himself to track down my work e-mail and phone number, first e-mailing a poorly thought out threat to come down to my workplace and do something or other, and then telephoning my office to confirm I was employed there. This didn't go anywhere, since no one I work for or with regarded his outrage as anything other than the ravings of a clearly unbalanced fool, but it does show that, like most of the Sad Puppy proponents, Antonelli is poorly regarded not for his politics, but rather for the fact that he is a jerk.
Then, on August 1st, Antonelli appeared on the Superversive SF podcast and said the following about David Gerrold [the transcription comes from Jim C Hines's facebook page and quotes from 1:00:28 in the audio file]
I really didn’t know much about [Gerrold] before the Hugo nominations came out. Following his discourse and his level of discourse as a result, I personally wrote a letter addressed to the police chief in Spokane and said I thought the man was insane and a public danger and needs to be watched when the convention’s going on, and I mean it. I attached my business card. I said this guy’s inciting to violence. Somebody—a weak-minded might attack somebody because of his relentless strength of abuse. I think, honestly, I think he belongs in a secure psychiatric facility.
To my ear, it was not clear in the podcast whether Antonelli was entirely serious and other participants---John C. Wright and L. Jagi Lamplighter---quite reasonably tried to defuse the comments. However, Antonelli later confirmed it to Lou Berger (in comments)
I asked Lou Antonelli if he really wrote the Spokane PD and he replied:

"I said I thought Gerrold's on-line comments were so intemperate they were an incitement to violence, which is what I believe. I wanted them to know in case there were any disruptions at the convention."

He's a newspaper editor, he says, and has been attacked and roughed up in his office over a political dispute. When I asked him if he wrote that David was a "dangerous criminal," he replied:

"No, I just suggested they (the PD) be aware of the controversy and possibility of people getting, uhh, maybe too enthused."

So it appears that he merely wanted to inform that there is an ongoing divide in process and, even though he believes David to be a pro, he's concerned that somebody on David's "side" will escalate and do something stupid.
At the time, there was no indication of what comments by Gerrold had set Antonelli off, and Gerrold said he could recall nothing that might have been misinterpreted this way (see the comments). Later, Gerrold suggested that it may refer to intemperate comments made by other posters following an older blog post of his about the Hugo Awards.

In a relatively short amount of time, Antonelli offered an apology to Gerrold on Jim C Hines's facebook page:
Thanks for your polite request for an explanation. I’ve thought about what to say, which is painful to admit.

It’s become public that on July 1st I wrote a letter to the chief of the Spokane Police Department expressing some concerns over potential security issues at the upcoming Sasquan.

I’m sorry for what I did. Without looking at the big picture I reacted in a manner that I thought I was being treated. It was stupid and wrong. My subsequent participation on a podcast was also a mistake because the environment further fueled my fear and I lashed out again.

I’m sorry I bothered the Spokane PD. They probably are ready to throw the butterfly net over ME when I enter the city. And I’m sorry and apologize to David Gerrold. He probably understands why I did what I did better than I do.

I need to ponder the hurt I have caused. To give me time to think, after Sasquan I am taking a half-year hiatus from attending any conventions and/or submitting any fiction.
I think I’ve become my own crazy uncle ...
Antonelli also followed up the apology (further in the comments) by promising to write to the Spokane police to clear up the mess.

In my opinion, this is a pretty good apology. It accepts responsibility and, together with the commitment to contact Spokane PD, outlines a plan for atonement. It is certainly than the apology offered by Irene Gallo in response to her now famous "neo-nazi" rant:
There are two extreme right-wing to neo-nazi groups, called the Sad Puppies and the Rabid Puppies respectively, that are calling for the end of social justice in science fiction and fantasy. They are unrepentantly racist, sexist and homophobic. A noisy few but they’ve been able to gather some Gamergate folks around them and elect a slate of bad-to-reprehensible works on this year’s Hugo ballot.
who apologized to anyone hurt by her remarks without apologizing for the remarks themselves:
About my Sad/Rabid Puppies comments: They were solely mine. This is my personal page; I do not speak on behalf of Tor Books or Tor.com. I realize I painted too broad a brush and hurt some individuals, some of whom are published by Tor Books and some of whom are Hugo Award winners. I apologize to anyone hurt by my comments.
And it is far far better than the apology offered by Brad Torgersen following his homophobic tweet about John Scalzi:

which amounted to an apology for insinuating that Scalzi is gay, and not for suggesting that there is something wrong with being gay:

Antonelli has begun to face professional consequences as indicated in his following facebook post:
Oh, from the Actions Have Consequences Dept., Lakeside Circus has revoked its signed contract for my story "Message Found Written on an End Roll of Newsprint":

---

Mr. Antonelli,

I have just become aware of comments you made regarding contacting the police about David Gerrold, over his comments about the Hugo Awards.

While your stance on, and involvement in, the Hugo voting slates is, we feel, a personal choice, and outside of our interests, taking this action moves away from protected speech, and into a concrete effort to threaten someone's safety and livelihood.

Because of this, we will not be publishing your story in our next issue, and would suggest that we are unlikely to be a good fit for your work in the future.

Thank you.

Carrie Cuinn
Editor-in-Chief

---

You do stupid and bad stuff, you get slapped.
Again, I thought Antonelli responded to this in about the best way possible.

Let's make no mistake: what Antonelli did was wrong. Very wrong. Nothing that has happened can excuse what he did, although placing it in the context of his newspaper work and the many intemperate comments made by both sides of the Hugo Controversy does make it somewhat more understandable. The profession should not forget, and forgiveness will take some time. But forgiveness is what the profession and fandom need, and I was pleased to see David Gerrold accept Antonelli's apology, and to see John Scalzi and many others take the moral high road following the apology. I said as much on twitter. And in doing so, apparently earned a spanking from K. Tempest Bradford. More on that tomorrow.